tag:blogger.com,1999:blog-3070623657970000135.post7128829041848916195..comments2024-01-27T02:33:23.675-08:00Comments on Beverly in Movieland: My Lunch with Deborah Nadoolman Landis: Of Costumes and Streetwear Beverlyhttp://www.blogger.com/profile/15515783219367479399noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-3070623657970000135.post-70091633001900733132015-02-24T12:12:05.540-08:002015-02-24T12:12:05.540-08:00Hurrah for Deborah, who was just honored by the Co...Hurrah for Deborah, who was just honored by the Costume Designers Guild with the Edith Head Award for the Advancement and Education of the Art of Costume Design. I'd love to hear more about Richard Van Dyke. Perhaps you (or he) can remind me once again of the difference between sound mixing and sound editing. I've been told before, but it simply doesn't stick! Beverlyhttps://www.blogger.com/profile/15515783219367479399noreply@blogger.comtag:blogger.com,1999:blog-3070623657970000135.post-78083926237726116282015-02-23T06:38:11.079-08:002015-02-23T06:38:11.079-08:00I have enjoyed Ms. Nadoolman's work in many mo...I have enjoyed Ms. Nadoolman's work in many movies - and what a feather in her cap to have designed that iconic Indiana Jones outfit. Wow. I can only imagine how hard it must have been for the aging costumers of the old studio system trying to adjust to the realism of 70's cinema. I only just found out that a sound mixer I worked with in the 90's - Richard Van Dyke - had costume professionals in his family - his grandmother was Renie Conley - Oscar winner for Cleopatra - and his mother was a fashion show producer who worked often with Edith Head - and Edith Head was a close friend of the family - and helped young Richard with set visits and connections. Richard's been in sound since the mid 70's on shows like Moonlighting and American Beauty. I'm bugging him for stories now about his earlier years hanging out with Edith Head - because - well, you know...Craig Edwardshttps://www.blogger.com/profile/06037542638067599437noreply@blogger.com