Culver City, a small civic
enclave in West Los Angeles, likes to call itself “The Heart of Screenland.” The legendary MGM
Studios (which once used to boast that it had “more stars than there are in
heaven”) occupied a central spot at the junction of Washington and Culver
Boulevards. Back in the days of Irving Thalberg and Louis B. Mayer,
Metro-Goldwyn-Mayer was synonymous with glamour, and MGM’s mascot, Leo the
Lion, was the king of the movieland jungle. Alas, by the time I moved into
Culver City, the stars had largely gone elsewhere. With the decline of the
studio system, MGM had sold off its fabled backlot, where Gone With the Wind
and The Wizard of Oz were filmed, to create a middle-class housing
tract called Studio Estates. (You could live on street like Garland Drive,
Hepburn Circle, or Astaire Avenue, each of them named after a Golden Age MGM
notable.) What was left of the MGM lot—with its huge soundstages, star
bungalows, and elaborate wardrobe facilities—was largely scooped up by a new
Hollywood player from Japan, Sony Pictures.
Recently I took a tour,
hosted by the ever-enterprising Los Angeles Conservancy, that focused on Culver
City’s recent rebirth. Some of this involves ultra-cool modern architecture
associated with the Southern California tech phenomenon called Silicon Beach.
But in Downtown Culver City, near where the staid old Culver Hotel once housed
a rowdy bunch of Munchkins who were appearing in The Wizard of Oz, old
is meeting new in highly unexpected ways. It was a reminder to me that MGM has
never been the only studio in town. Right down the road, in a stately white
columned building that reminds onlookers of Scarlett O’Hara’s Tara, there’s a
smaller studio that has also played a famous role in Hollywood history.
The Culver Studios Mansion
was erected back in 1918 by silent film actor, director, and producer, Thomas
Ince, who modeled it after George Washington’s Mt. Vernon. Ince didn’t enjoy
his studio (which also included a 40-acre back lot) for long. In 1924, in celebration of his 44th
birthday, he boarded the yacht belonging to William Randolph Hearst for a
pleasure cruise that also involved Charlie Chaplin and Hearst’s mistress,
Marion Davies. After a dinner involving lots of champagne, he became severely
ill, was carried off the yacht in Long Beach harbor, and died. Heart failure
was the official cause, but persistent rumors tell a far different tale: that
Hearst had shot Ince in the head, mistaking him for Chaplin whom he thought was
having an affair with Davies.
After Ince’s death, his
studio property was first occupied by Cecil B. DeMille, then by RKO, and by
producer David O. Selznick, who featured the stately mansion in the opening
credits for all of his films. (No, it was not used as Tara, but the burning of
Atlanta in GWTW featured the bonfire made of old sets on the property.) In the early days of television the studio
was purchased by Desilu, and used for such landmark TV series as The Andy
Griffith Show. Today a mural featuring Lucy and Desi commemorates that
period.
So what’s going on now? The
studio site has been acquired by Amazon Studios, and an extensive remodel is
taking place. Though the Mansion and some legendary star bungalows (including
one where Gloria Swanson canoodled with Joseph Kennedy) have been carefully
preserved, the lot is now dominated by
massive construction equipment. That means offices, parking spaces (of course!)
and such amenities as barbecue pits, along with modern facilities for turning
out Hollywood-worthy content. High tech strikes again.
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