Frankly, I can’t pretend I
enjoyed watching Uncut Gems. And anyone who hates the unrelenting pace
of today’s New York City should definitely stay away. This film is so loud, so
hyperactive, and so profane that it leaves you with barely a moment to catch
your breath. Yes, it feels real, but this isn’t a reality I’d personally enjoy
spending time in.
That being said, I have to confess
I admire what the Safdie brothers have accomplished. Before Uncut Gems,
I had never seen anything by Josh and Benny Safdie, the young (ages 35 and 33)
indie filmmakers who grew up in the Big Apple and have incorporated its
frenetic rhythms into their movies. Their exuberant fascination with the seamy
side of New York life is much like that of the early Martin Scorsese, which
makes it not at all surprising that Scorsese himself is an executive producer
of this film. Vivid characters, rat-a-tat dialogue, spot-on casting, Darius Khondji’s
sometimes dazzling cinematography: all these contribute to a view of
Manhattan’s Diamond District that is too specific to be disbelieved. Most
essential, of course, is the central performance of Adam Sandler, who has
earned legitimate kudos for going far beyond the goofy comic roles of his
earlier films.
Sandler plays Howard Ratner,
a small-time Diamond District jeweler with a big-time gambling problem. His
attempt to sell basketball star Kevin Garnett (nicely playing a more naïve
version of himself) on a particularly fabulous South African black opal
coincides with his desperate need to pay off a massive gambling debt or risk
facing the wrath of some particularly twitchy loan sharks. But then there’s
also the wrath of his wife, ferociously
played by Idina Menzel. She may or may not know about his girlfriend in the
city, but she certainly recognizes that he’s been neglecting his three kids for
the sake of his personal obsessions.
Obsession is definitely
something this film is about. Howard wants to be a good guy—really, he does—but
his fascination with the thrill of a big financial score leaves him too hopped
up to settle for quiet domesticity in the suburbs. The intensity of his behavior
is dialed to eleven. A motormouth at the best of times, he jokes, he flirts, he
rants, he cajoles, he connives, he ingratiates himself with those in power and
tries to channel what clout he has left against those lower in the pecking
order. But he proves not the only obsessive in Unxcut Gems. Kevin Garnett,
who in the timeframe of the movie was a Boston Celtic forward involved in a
crucial playoff series with the New York Knicks, is obsessed with anything that
will bring him luck on the basketball court. The thugs pursuing Howard are not
going to be stopped, no matter what. And the pretty young employee who doubles
as his girlfriend (newcomer Julia Fox) is loyal to a fault. At first I wondered
why in the world she’d cling to a not-so-attractive middle-aged guy with
powerful enemies: surely she could do better. I suspect the answer is that she
too is obsessed, and obsessions can make little sense at the best of times.
Another theme that sheds
light on this film is the randomness of the universe. No one—not Howard, not
Kevin, not the loan sharks—can absolutely guarantee what is to come. Throughout
scenes depicting basketball games, casino betting, gem auctions, and business
shenanigans, we have an uneasy feeling that something unexpected is
about to happen. And, sure enough, it does. As the Safdies know full well,
that’s the way of the world.
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