Friday, July 31, 2026

L.A. as the Emerald City: “Gail Daughtry and the Celebrity Sex Pass”

Sometimes, especially in the dog days of summer, you just want to watch something carefree and a little bit silly. That’s why I opted for a small indie called Gail Daughtry and the Celebrity Sex Pass. Believe it or not, it sorta-kinda marries The Wizard of Oz to a modern-day sex comedy. Somehow it pulls off the trick of combining wide-eyed innocence with today’s wide-open sexual mores. Is it raunchy? Well, call it fairy-tale raunch.

 We begin (of course) in Kansas, where the wide-eyed Gail (once a prom queen, now a hairdresser) is on the brink of marrying her long-time sweetheart, Tom. First they’re joking about the right—should the occasion arise—to skirt their marriage vows if there’s a chance of shagging the celebrity of their dreams. Then, suddenly, Gail catches Tom in flagrante with Jennifer Aniston, who just happens to be passing through town. Despite this fling, Tom remains determined to marry Gail; understandably, she’s not so sure. At this moment of indecision, she’s invited by her best friend, a gay (of course!) African-American named Otto, to fly out to the coast, where a major hairdresser convention is going to take place. Gail’s personal goal: to even the score with her fiancé by bedding her own celebrity crush, Jon Hamm.

 Quicker than you can say “We’re off to see the Wizard,” they land in SoCal, an Emerald City chock full of crooks and rascals. After a celebrity sighting at the airport (Henry Winkler!) Gail discovers her suitcase has accidentally been switched with one containing secret government documents. Of course there are some bad guys (and one VERY bad gal) determined to get these papers back. If blood is to be shed, so be it.

 We follow Gail and Otto through Hollywood, where the not-too-bright crooks seem unable to find them even when they’re spotted on a surveillance video directly in front of the world-famous Grauman’s Chinese Theatre. Eventually Gail’s merry crew expands to include an eager-beaver actors’ agent in training and a would-be paparazzo desperate to capture Hamm’s image with his lens. These new additions don’t exactly replicate L. Frank Baum’s friends-of-Dorothy, but they’re almost equally goofy. This goes especially for a late addition to the group: none other than snowy-haired John Slattery, who of course once co-starred with Jon Hamm on Mad Men, and who in this film turns out to be an aspiring martial artist. (Alas, the film misses out on the presence of Toto . . . but Gail DOES sport snazzy red shoes.)

 After much searching, and a near-disastrous encounter with an unhinged celebrity whose name I won’t reveal,  Jon Hamm’s current address is finally tracked down. But that’s not the end of the road for Gail and her pals. They face down a difficult challenge, and are nearly vanquished by—shall we say?—non-flying monkeys. Ultimately, though, the new pals prove their merit, and Gail gets . . . well, I don’t think I should spill any more beans. Except to say that the end of the film is silly and charming and entirely appropriate.

 None of this would be worth watching if there weren’t an absolutely delightful “Dorothy” at the center of things. Zoe Deutsch (who made a winsome Jean Seberg jabbering in French in last year’s Nouvelle Vague) is now a charmingly innocent brunette for whom we can’t help rooting, no matter the oddity of her quest. I enjoyed her companions too, though they lack the indelible presence of Dorothy’s eecentric band. But be assured we make it back to Kansas. After all, there’s no place like home.

 

 

 

 

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