Tuesday, December 16, 2025

The Late Rob Reiner: All in the Family

Not exactly a festive start to the holiday season. First the horrific first-night-of-Hanukkah shootings on Bondi Beach in Sydney, and then the news of the murder of actor/director Rob Reiner and wife Michele in Brentwood, California. Frankly, I can’t wait for 2025 to be over. 

 All I can do (and it certainly isn’t much) is to remember Reiner and the joy he’s given me over the decades. I never met him, though we had some extremely remote connections, like the fact that (in the course of my very first summer  job) I presided over the bus on which his little brother rode to day camp back in the 1960s. In about that same era, as a theatre writer for the UCLA Daily Bruin, I was sent to a local theatre to review a short play called The Howie Rubin Story. This one-person playlet, written by Reiner and his longtime creative partner, featured Rob as a naïve high school kid who dreams of Hollywood stardom. At that point I’d never heard of Rob Reiner, though I certainly knew about the career of his talented father Carl. The younger Reiner’s on-stage charm and always-helpful family connections seemed to promise that he was on the brink of a great career. And so it went.

 Most fans associate Rob Reiner with the role of Archie Bunker’s left-leaning son-in-law, not so affectionately nicknamed Meathead, om All in the Family (1971-1979). Somewhere in that era, Reiner participated in a prank I still remember with great amusement. At the time he was married to the late Penny Marshall, who was featured on a sitcom version of Neil Simon’s The Odd Couple as Myrna, a particularly hangdog secretary with bad posture and an excruciatingly nasal voice. She’s pining for her lost beau. Naturally, Tony Randall’s character (the fastidious Felix Unger) tries to remake her into a more suitable love object for the fickle Sheldn (whose name was misspelled on his birth certificate). When Sheldn finally shows up to encounter the remade Myrna, it’s Rob Reiner in a really bad wig. Clearly Penny Marshall was not expecting to see her hubby in this scene: the studio audience laughed in delight at her desperate attempts to keep a straight face, and at home I laughed too. For me this was one of the most delightful live TV moments of all time.

 Everyone who loves movies knows the great films that Reiner so lovingly directed: romcoms like When Harry Met Sally and The American President, dramas like Misery and A Few Good Men. His debut film as a director, This is Spinal Tap (1984) was such a memorable mockumentary of a British rock group that lines like “up to eleven” have entered our daily lingo, and a sequel was released just this past year. I think a lot of us have a special affection for The Princess Bride, a blend of fairytale romance and adventure fable that is also a tribute to the bonds of familial love. In the original film a modern kid (Fred Savage) is read the story of the Princess Bride by his grandpa (Peter Falk) when he’s sick in bed. At the end, the film becomes a sweet tribute to their intergenerational affection. In the dark days of the pandemic, Hollywood performers amused themselves by re-enacting scenes from The Princess Bride and posting on YouTube. Ultimately Rob Reiner himself played the kid and his father Carl had the grandpa role. The on-camera tenderness between them was deeply touching, and I’d like to remember Reiner like that, not for family relationships that apparently went horribly wrong.  



 

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